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Thanks! :)

If you want to change the cloth on your grill, you should be able to follow my tutorial to figure it out: http://acapella.harmony-central.com/forums/showthread.php?s=&threadid=1182222 1 yard of the Mesa tan jute cloth was ~$35.

Excellent! Well, that makes it a lot easier. What about the metal grill with the Mesa Badge? How is that connected to the rest of the panel?

Since I rarely have all my gear in the same place, I decided to make a clip. This clip is from Corrosion of Conformity's newest disc "In the Arms of God." Clip: COC - It is that way Here's my recording method:

Did he tell you which LDRs he replaced? I should think that that would be an indication of the failure. Anyway, sorry to hear about the trouble with your amp. I've got a Tremoverb en route to me, so I'll test this procedure out thoroughly and give it the yea or nay.

LOL! I'm just lucky in this case. But, when you're done with the new T-verb, I should think it will give my Blondy a run for it's money. :)

Well, macmax, you convinced me. I just finalized the deal for this '93 T-verb:

First, I don't know how you cut through with your mids at 8:00, so try them out at least on 12:00, and drop the bass to around 9-10:00. Treble and presence are good methinks. Then, adjust your gain, treble, presence, and master for the volume you want to play. The higher the master volume...

You may have loose or unconnected reverb lines. From the amp chassis there will be two RCA phono connections that lead to the Reverb pan. Make sure all the connections are good.

The Mesa F-50 will do everything you're asking and more. IMO, the Lone Star only has stellar reverb on the F-series, but the core clean tones of both amps are excellent. Check out the clips in the first post of the F-series lounge on HCAF...

Yup, on the red channel, the higher the gain, the less sensitive the controls are. Also, the treble is most sensitive, followed by mid, then bass. If you drop the gain to around 11:00, you should notice an increase in bass and overall sweep in the controls. The tone stack is before major...

The way it works is to wire the amp's FX send to say the "A" side of the AB, and the output of the Studio Pre to the "B" side. When you select "A," the signal is simply guitar -> buffer -> amp -> FX send -> A/B -> FX return just like you're using an FX processor in the loop. When you select...

How about a Stiletto Ace with a Mesa Studio Preamp run in it's FX return? You could then switch between the two with an A/B pedal if it was split out front by a buffer. Mark IIc+ clean and mean, and Stiletto clean and crunch. You can get the series I stilettos for ~$850 and the Mesa Studio...

The FX send jack is a special switching style that connects to the FX return's center pin when nothing is in the loop. If you run something into the FX return without a plug in the FX send, you'll have a funky input impedance and sensitivity. All you need is the mechanical insertion of a 1/4"...

You don't necessarily have to, it's just a question of setup. If you use an A/B box and a stereo splitter, you could easily integrate a modeler into your rig AND still use the F-series preamp. Or, you could go completely nuts, and bust out a full MIDI rig like this: In the GRX4 case, you...

Sweet! BTW, did you use a dummy cable in the FX send jack? If not, make sure to do that because when I ran my PODxt Live through my F-100's FX return, it sounded like a blanket until I put a cable in the send jack.

No, you don't need the FX mix mod. The volume change has to either be governed by the FX Mix pot or the TSLE. FX Mix should be at 90%.

Sorry I was unclear. You can use a volume pedal in the loop after the TSLE if you want, but it already has the capability to control volume with one of the EXP pedals as you stated. Since the parallel loop goes to 90%, you're only getting a small amount of signal through (10%) dry which you...

You can only use the FX Mix mod when there is nothing else in the loop, so it's not going to work with your TSLE in there. Perhaps there is a setting in the TSLE that will allow you to control overall volume rather than FX mix? To test out the FX Mix pot mod: On the FX return cable's end...

Kewlpack, congrats on the F-30! Mmm... there's nothing quite like bringing a new one home. :) To answer your questions: 1) The F-50 is only better if you think it is. I personally prefer the deep low end and glassy highs of my F-100 compared to an F-30, but I love EL-84 amps as well. If Mesa...