I'm getting pretty close or have just crossed the line where the Heartbreaker Lust Channel is into that tonal bliss zone where it makes you want to rock out like a teenager with his hair on fire.
I want to share what I've discovered for a preliminary blueprint:
Guitar: Humbucker..Burstbucker-ish...into a buffered pedal ("off") - NOT true bypass - in order to better impedance match pickups with amp input, thus retaining the highs coming off your guitar. This configuration is a core part of making this work - this amp's input impedances are all over the map depending on what's going on: hi or low gain, etc.
Amp: Head, Stock; 1/2 Power Switch; Rectifier, EL34 bias; Bold Switch; Hi Voltage setting (not Tweed)
Power Tubes - Outside Pair: Mesa STR-447's (Yellow Rated); Inside Pair: None
Tone Shaping Preamp Tubes - (Lust Channel Only): Tungsol RI --> ANOS Raytheon Long Blackplate (generically, a mid-forward chimey tube feeding a smooth and lively tube for articulate and dynamic yet smooth preamp breakup)
Reverb driver/recovery - EHX 12AT7, the extra current from this tube makes the reverb lush and awesome.
EFX Loop Send/Return tube - oops...forgot...important though...will edit later to add.
Phase Inverter - EHX 12AY7 (no fizz or clip when driving power tubes hard....nice ! )
Speaker Config: 1x12 Ext. Cab. c/w Eminence Reignmaker at 25% attenuation
Ohmages: 8 ohms output into 8 ohm speaker (note: I am not cutting the ohm output in half as per usual recommendation)
Hi or Low - switch between them with great tone each way
Gain: 10:30 - 1:30 depending on how much you use your gtr volume pot.
Treble: 1:15
Mid: 9:45
Bass: 9:15
Presence: +/- 40%
Fat & Bright switches on
Channel Volume: Full (eg. non-master volume amp...bringing in those sweet EL34 power tube OD)
Main Output Volume: 9:30-11:00, depending on your relative loss of hearing to date. This has to be loud to get into the power tube saturation zone to make the sweet silky part of the midrange spectrum come forward. 125 db at 6 feet pointing at feet with Yellow rated Mesa power tubes into a 95db speaker configuration. Double everything if you have 100 db speakers....OUCH.
This is a forward hard hitting ballsy tone with those sweet vintage mids. The Lo Gain setting works great for blues to rock rhythm, and the Hi gain from rock to hard rock leads.
Just enough mid scoop to make playing feel easy, but sufficient enough that all the mids you need to rock are there.
There is a ethereal, open quality to this tone. The touch-sensitivity from power tube saturation is right there at your fingertips.
This is straight ahead Marshall tone ala mid 70's to early 80's rock.
Small Deficiency: As indicated in my Heartbreaker Meets Reignmaker thread, the voicing of this speaker is just a hairwidth light in the part of the spectrum that brings pick attack forward.
This is pro-gig worthy blues, rock and hard rock tone.
PS: When you turn the power amp down with the Hi Gain switch on, you are after a tubescreamer-ish tone...a smooth scooped tone with some fizz on the top. That's what you're aiming for with your preamp controls - a tubescreamer tone without the tubescreamer....then, you nail the powertubes hard with that tone, and you've got Golden Classic Balls to the Wall Rock tone. Makes sense, hey! A Secret of the Tonegods!
PS2: When you turn the power amp down with the Low Gain switch on, you are after a chimey (but not over the top chimey) voxy style tone with a hint of breakup and a whisker of fizz. Push that hard into the power tubes, and you've got a touch sensitive yet smoooooth bluesy-rock tone with tons of character and how do you say it??? TONE...TONE...TONE....
I want to share what I've discovered for a preliminary blueprint:
Guitar: Humbucker..Burstbucker-ish...into a buffered pedal ("off") - NOT true bypass - in order to better impedance match pickups with amp input, thus retaining the highs coming off your guitar. This configuration is a core part of making this work - this amp's input impedances are all over the map depending on what's going on: hi or low gain, etc.
Amp: Head, Stock; 1/2 Power Switch; Rectifier, EL34 bias; Bold Switch; Hi Voltage setting (not Tweed)
Power Tubes - Outside Pair: Mesa STR-447's (Yellow Rated); Inside Pair: None
Tone Shaping Preamp Tubes - (Lust Channel Only): Tungsol RI --> ANOS Raytheon Long Blackplate (generically, a mid-forward chimey tube feeding a smooth and lively tube for articulate and dynamic yet smooth preamp breakup)
Reverb driver/recovery - EHX 12AT7, the extra current from this tube makes the reverb lush and awesome.
EFX Loop Send/Return tube - oops...forgot...important though...will edit later to add.
Phase Inverter - EHX 12AY7 (no fizz or clip when driving power tubes hard....nice ! )
Speaker Config: 1x12 Ext. Cab. c/w Eminence Reignmaker at 25% attenuation
Ohmages: 8 ohms output into 8 ohm speaker (note: I am not cutting the ohm output in half as per usual recommendation)
Hi or Low - switch between them with great tone each way
Gain: 10:30 - 1:30 depending on how much you use your gtr volume pot.
Treble: 1:15
Mid: 9:45
Bass: 9:15
Presence: +/- 40%
Fat & Bright switches on
Channel Volume: Full (eg. non-master volume amp...bringing in those sweet EL34 power tube OD)
Main Output Volume: 9:30-11:00, depending on your relative loss of hearing to date. This has to be loud to get into the power tube saturation zone to make the sweet silky part of the midrange spectrum come forward. 125 db at 6 feet pointing at feet with Yellow rated Mesa power tubes into a 95db speaker configuration. Double everything if you have 100 db speakers....OUCH.
This is a forward hard hitting ballsy tone with those sweet vintage mids. The Lo Gain setting works great for blues to rock rhythm, and the Hi gain from rock to hard rock leads.
Just enough mid scoop to make playing feel easy, but sufficient enough that all the mids you need to rock are there.
There is a ethereal, open quality to this tone. The touch-sensitivity from power tube saturation is right there at your fingertips.
This is straight ahead Marshall tone ala mid 70's to early 80's rock.
Small Deficiency: As indicated in my Heartbreaker Meets Reignmaker thread, the voicing of this speaker is just a hairwidth light in the part of the spectrum that brings pick attack forward.
This is pro-gig worthy blues, rock and hard rock tone.
PS: When you turn the power amp down with the Hi Gain switch on, you are after a tubescreamer-ish tone...a smooth scooped tone with some fizz on the top. That's what you're aiming for with your preamp controls - a tubescreamer tone without the tubescreamer....then, you nail the powertubes hard with that tone, and you've got Golden Classic Balls to the Wall Rock tone. Makes sense, hey! A Secret of the Tonegods!
PS2: When you turn the power amp down with the Low Gain switch on, you are after a chimey (but not over the top chimey) voxy style tone with a hint of breakup and a whisker of fizz. Push that hard into the power tubes, and you've got a touch sensitive yet smoooooth bluesy-rock tone with tons of character and how do you say it??? TONE...TONE...TONE....