lockbody
Well-known member
:lol:
I had the opportunity to play an Electra Dyne for a couple of days in my home, and in that time I really got to put it the first trough its paces and compare it with my DC-5. I've really been gassing for one lately, but before I laid down my hard-earned cash I wanted to know that it was going to give me something I couldn't get from my present amp.
First of all, the ED is a sweet amp, if I could afford to have multiple amps at a time, I probably buy one in a heartbeat. That thing just has such a big sound it's not funny. One of the first tones I zeroed in on was the opening to Rush's "Working Man" - I just love those huge single notes and the ED in "Vintage-Hi" mode @ 90 watts just nailed it. Nailed it. Anybody in a Rush tribute band just needs this amp and a 335 and they're set.
And I was very surprised at how "Marshally" the ED is. In fact, this is what I was hoping the Stiletto was going to be, except the ED just doesn't have the gain of the Stiletto. I kept wishing that the ED's volume control would turn about another quarter turn. I've got so used to the DC's liquid tone that, when it's not on tap, I miss it. But that's not the ED's forte.
Onto some caparisons. Keep in mind these are trough my Mesa 4x12 Halfback. I think combo to combo the ED might have been the clear winner, but the only time I ever play only with a combo is the rare jam over at a friends house or practice space.
Clean:
I think the ED is the champ here. It just has a wonderful clean. Huge, round notes with a lot of sparkle, paired to one of the better reverbs in the business. My DC-5 A just doesn't have the headroom to hang with the ED. Luckily, I don't play too much in the way of sparkly clean.
Mid-gain:
At 90w in "Vintage-Lo" mode the ED shines, but switch the ED to 45w and my DC-5 closes the gap. On Ch1, with no GEQ, boosting the gain, rolling back the highs, and raising the mids and lows got the DC-5 remarkably close in tone. Not quite as big and round, but **** close.
High-gain:
The ED can't hang with the DC in the gain dept., and if you want fluid lead tone you'll need a boost of some sort. No surprise there, but I wanted to see how close I could get my DC-5 to the ED's sound and the result was impressive. I've always thought where the DC-5 was lacking was at lower-gain settings on Ch2, but not anymore. Lowering the DC-5's gain to about 4.5, treble to 7.5, mid to 6, low to 3, pres to 3, and playing with the GEQ (mainly dropping lowering 240 below the middle, and boosting the 2400) got me a tone really close to one of my favorite settings on the ED @ 45w. I think I've gotten complacent in my sound with the DC-5 and have quit experimenting with different sounds, but I've got a renewed admiration for Randall Smith and the GEQ he wisely included in so many amps. I bet a DC-10 would match those big tones @ the ED's 90w setting.
In the end I really liked the ED, but when I got to compare one side-by-side with my DC-5, I found that the DC-5 could give me 90% of what I liked most about the ED, and the ED can't do what the DC's can do without some external help. Considering what I'd have to come up with after selling my DC I'd say I can live without that other 10%.
Long live the DC!
I had the opportunity to play an Electra Dyne for a couple of days in my home, and in that time I really got to put it the first trough its paces and compare it with my DC-5. I've really been gassing for one lately, but before I laid down my hard-earned cash I wanted to know that it was going to give me something I couldn't get from my present amp.
First of all, the ED is a sweet amp, if I could afford to have multiple amps at a time, I probably buy one in a heartbeat. That thing just has such a big sound it's not funny. One of the first tones I zeroed in on was the opening to Rush's "Working Man" - I just love those huge single notes and the ED in "Vintage-Hi" mode @ 90 watts just nailed it. Nailed it. Anybody in a Rush tribute band just needs this amp and a 335 and they're set.
And I was very surprised at how "Marshally" the ED is. In fact, this is what I was hoping the Stiletto was going to be, except the ED just doesn't have the gain of the Stiletto. I kept wishing that the ED's volume control would turn about another quarter turn. I've got so used to the DC's liquid tone that, when it's not on tap, I miss it. But that's not the ED's forte.
Onto some caparisons. Keep in mind these are trough my Mesa 4x12 Halfback. I think combo to combo the ED might have been the clear winner, but the only time I ever play only with a combo is the rare jam over at a friends house or practice space.
Clean:
I think the ED is the champ here. It just has a wonderful clean. Huge, round notes with a lot of sparkle, paired to one of the better reverbs in the business. My DC-5 A just doesn't have the headroom to hang with the ED. Luckily, I don't play too much in the way of sparkly clean.
Mid-gain:
At 90w in "Vintage-Lo" mode the ED shines, but switch the ED to 45w and my DC-5 closes the gap. On Ch1, with no GEQ, boosting the gain, rolling back the highs, and raising the mids and lows got the DC-5 remarkably close in tone. Not quite as big and round, but **** close.
High-gain:
The ED can't hang with the DC in the gain dept., and if you want fluid lead tone you'll need a boost of some sort. No surprise there, but I wanted to see how close I could get my DC-5 to the ED's sound and the result was impressive. I've always thought where the DC-5 was lacking was at lower-gain settings on Ch2, but not anymore. Lowering the DC-5's gain to about 4.5, treble to 7.5, mid to 6, low to 3, pres to 3, and playing with the GEQ (mainly dropping lowering 240 below the middle, and boosting the 2400) got me a tone really close to one of my favorite settings on the ED @ 45w. I think I've gotten complacent in my sound with the DC-5 and have quit experimenting with different sounds, but I've got a renewed admiration for Randall Smith and the GEQ he wisely included in so many amps. I bet a DC-10 would match those big tones @ the ED's 90w setting.
In the end I really liked the ED, but when I got to compare one side-by-side with my DC-5, I found that the DC-5 could give me 90% of what I liked most about the ED, and the ED can't do what the DC's can do without some external help. Considering what I'd have to come up with after selling my DC I'd say I can live without that other 10%.
Long live the DC!