I just thought I would share my recent experience, as I know some of you might be interested.
The Lone Star broke down a couple of weeks ago, and I haven't had time to take it to Petaluma. Being that I still have gigs to do, I had to consider using another one of my amps. I'm in a wedding band where we do primarily old-school funk tunes. (We also do some jazz standards, wedding standards, and a bit of rock mixed in.)
I have been so disappointed with my solid-state combo, ever since I bought the Lone Star. I didn't want to go back to that one. So I considered using the Recto (R-0627) with vintage mode on the red channel to do a few gigs. I paired that with my open Lone Star cab that I loaded with an EVM 12-L.
So I tried this amp at the gig, and WOW, what a great sounding two channel setup that made. The cleans were full and sparkling at the same time, and the lead channel was amazing. . . creamy, but with plenty of bite and gain. Both channels stood up amazingly in the mix with the 9-piece band.
I love the Lone Star, but I think the Recto may be the ideal amp for what I need. The cleans were pleasingn through the Recto, not un-like the Lone Star, both with 100 watts of 6L6 power tubes. And then the lead channel had all the drive that's called for with those crazy sounding Ernie Isley type of leads.
In summary, I would say that it's ironic that the Dual Recto is considered a niche 'metal' amp, when it may out-perform other amps notorious for the suitability of their voicing in the context of certain genres.
The Lone Star broke down a couple of weeks ago, and I haven't had time to take it to Petaluma. Being that I still have gigs to do, I had to consider using another one of my amps. I'm in a wedding band where we do primarily old-school funk tunes. (We also do some jazz standards, wedding standards, and a bit of rock mixed in.)
I have been so disappointed with my solid-state combo, ever since I bought the Lone Star. I didn't want to go back to that one. So I considered using the Recto (R-0627) with vintage mode on the red channel to do a few gigs. I paired that with my open Lone Star cab that I loaded with an EVM 12-L.
So I tried this amp at the gig, and WOW, what a great sounding two channel setup that made. The cleans were full and sparkling at the same time, and the lead channel was amazing. . . creamy, but with plenty of bite and gain. Both channels stood up amazingly in the mix with the 9-piece band.
I love the Lone Star, but I think the Recto may be the ideal amp for what I need. The cleans were pleasingn through the Recto, not un-like the Lone Star, both with 100 watts of 6L6 power tubes. And then the lead channel had all the drive that's called for with those crazy sounding Ernie Isley type of leads.
In summary, I would say that it's ironic that the Dual Recto is considered a niche 'metal' amp, when it may out-perform other amps notorious for the suitability of their voicing in the context of certain genres.